The painting as an imprint of a passage, a memory of an event, a testimony of a succession of gestures. To harmonize with the color, brushes, canvas, and use these tools to externalize an inner emotional state.
The British artist Tony Charles is back in Italy to exhibit at the contemporary art gallery Spazio Comel of Latina. Right here, a year ago, he was the winner of the International Comel “Vanna Migliorin” [...]
A short story inspired by the exhibition "The expressiveness of aluminum" combined with the Comel Arte Contemporanea Vanna Migliorin Award 2013. By Rosa Manauzzi
The winner of the 2nd edition of the COMEL Vanna Migliorin Contemporary Art Prize 2013 has been announced: the artist Tony Charles for the artwork "Fletted Sign."
The jury composed of art critics Giorgio Agnisola, Gregorio Botta, and Agnes Martin, has selected the winner of this edition. The thirteen competing artworks are displayed at the Spazio COMEL in the exhibition [...]
The highly anticipated international exhibition will be inaugurated on 9 March at the COMEL Space in Latina. The selected works of thirteen artists from different countries of the European Community will be presented by [...]
After a careful selection, the jury chose the thirteen artists for the 2013 COMEL Award. Among a large number of participants from every country of the European Community, the jury has chosen the thirteen artists for [...]
The names of the thirteen finalists of the 2013 COMEL Prize will be officially announced in a press conference on Friday, February 8. Now in its second edition, the COMEL Award is arousing international and even [...]
Born from the synergy between art and business, the COMEL Prize grows and Latina opens up to Europe. "Being an artist and being an entrepreneur are two opposite life choices. Yet it happens that these seem two [...]
Massimiliano Drisaldi is the winner of the first edition of the Comel Award Vanna Migliorin contemporary art 2012 In the splendid setting of the 'Spazio COMEL' the Technical Jury assigned the coveted award to the engraver [...]
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